I am a member of a women's poetry list. And in recent weeks there has been a discussion raging about famous feminists Alice Walker and her daughter Rebecca Walker. Ms. Walker, the younger, has written very public diatribes about feminism and about her mother specifically. It's a very complex thing and obviously sparks some strong emotion. Throughout the whole discussion I have been unable to stop thinking about family and poetry and feminism and it's made for a weird two weeks. On one hand I feel energised and alive and I have written some good poetry recently, privately even. My poor neglected poetry blog doesn't stand a chance.
But on the other hand I have been thrust back into memories that I don't always think about, for good reason. Families are so complex. People are so complex. I can't even begin to understand them, or myself really. Or rather my own interactions with the families that make up my family. I am worrying needlessly about events to come and about decisions which I fear will have a huge impact on the rest of my life. Japan, has been a hiatus from decisions and people when I needed it most. But it is about to end. And preparing for that is taking it out of me.
A blog that I like today linked me to an interesting music podcast. I have only listened to one so far. But predictably it was the Tori Amos one.
Little Earthquakes was released when I was 12. I think the first single I knew about was
Crucify which was released somewhere in 1992 and which I first heard as a New Release amongst the Top Nine at Nine on 91zm (a very different radio station in 1992). Whilst everyone else my age was into grunge or electronica, I was spurning most of it for Tori Amos. I had fairly pedestrian music tastes up until age 12, but the gift of a tiny little double tape deck/radio for my 12th birthday allowed me into the world of radio and recording radio. And upon discovering Tori Amos I felt like I had found home, I think.
Those years were pretty hard for me and Tori Amos was most of my world. I spent a lot of time alone in my room, listening to that album and when
Under The Pink was released I added that to my repertoire. Now as a adult, when I consider that those albums were the fodder of my formative it years certainly goes a long way to explain who I am. Music has been an important force in my life since I can remember and I sometimes forget about that. I forget the years and years of piano practice and orchestra after I started to play the cello. The problem is that music is also my drug of choice. It takes me into depression and keeps me down there. And it is now a rare occasion that I can listen to the albums that affected me so as a youngin. I also remember the ridicule I received for liking Tori Amos during the 90s. I often wonder about the people who would say her name like it was a disease. It's also really funny to me now to meet women who were as in love with Tori as I was at that age. Or who started listening to her as an adult. I have this sort of possessive love for her. And it still astounds me to find people who like and listen to her. I love her. And probably always will.
I had a discussion today with my best student (and I like to think friend, as our sessions are more like conversation over coffee than lessons) about suicide. It was a very strange conversation. But it was also really enlightening for me. He brought in some statistics that show South Korea as having the highest suicide rate in the world, followed by Japan. Neither of us were very surprised about Japan. But he was surprised about South Korea getting the top stop. He tried to explain to me that for his parent's generation (my grandparent's generation) suicide was not even a consideration. He tried to explain that for older Koreans your body doesn't belong to you. It belongs to all of your ancestors and is therefore not yours to possess. Obviously there are gaps in understanding here, although he is a very good English speaker I think sometimes that trying to talk about complex subjects in a second language is almost fruitless. As such, he said, suicide isn't a taboo subject because it is just hard to imagine and then he outright asked me if I had ever been suicidal.
It totally surprised me. And my reaction to his totally innocent question surprised me even more. I blushed and foundered. I don't mind talking to people about my depression, but admitting that I have at times felt suicidal and have even gone so far as to plan my own demise seems to be something that it is not only hard for me to talk about, but makes me feel shame and sorrow and a whole raft of things that I don't understand. I explained to him that often in New Zealand people seem to think that talking about suicide encourages suicide. I remember the controversy over the yellow ribbon campaign. What do you think? Yes? No? I feel like in New Zealand it's something that we're not really allowed to discuss. Maybe one can admit to depression, but you have to be doing something about it. Perhaps I am extrapolating my own experience out into the experience of others here and it's just things that I have assumed from interactions with my family and peers. But I don't know. My reaction was a mystery. He, I think, felt a bit upset to have caused the reaction within me. But he didn't cause it. And such is life when discussing difficult subjects. I think it was a beneficial conversation for both of us.
He also told me that his parents, on discovering that some young Koreans in Japan had killed themselves became amazingly angry. This was in the middle part of the last century when Koreans born in Japan suffered prejudice and discrimination, fiercely. They still suffer of course, but in different ways. My student said he could never understand their anger, even now. But I think it makes sense in many ways. I have been reading about the Japanese occupation of Korea and the Zainichi Koreans, who lived and live in Japan, and their children, who are in a tight spot. Caught between their parents who stubbornly refuse to become Japanese nationals, and expect their children to do the same, though many of them have never set foot in Korea. I have heard that some Korean families disowned their children who became Japanese nationals. I don't really know how to talk about the subject. So intstead I have written a poem about it, that may or may not make it out into the light of day.
And then we are back to the beginning. Poetry.